鄭琬蒨 Wan-Chien Cheng (1986)
畢業於倫敦藝術大學傳播媒體學院聲音藝術研究所,自幼學習古典音樂並演奏鋼琴和長笛,2015年開始接觸即興表演。
曾受邀於2015倫敦當代音樂藝術節《Many Private Concert》、
Whitechapel gallery《Music for Museums》、
WhiteCube gallery《Christian Marclay solo exhibition》中進行現場Fluxus表演,
並於同年九月於 《倫敦聯合教堂管風琴音樂會》與管風琴大師Roger Williams 演出二重奏。
除了即興表演, 她的創作媒體為聲音,其作品亦包含聲音裝置、錄像、行為藝術等。
2015年曾在英國 Resonance 104.4 FM廣播節目中發表作品 《The Sound of Criticism》並於倫敦Flat Time House舉辦聯展《Bodies That Matter》。
她的作品中探究了聲音的可聽性與不可聽性,以自然錄音、電子合成音、音樂和人聲口白作為創作元素,主題著眼於語言、社會事件、環境議題、動物...等。
Wan-Chien Cheng (1986) is a Taiwanese musician and sound artist. Trained as a classical musician and completed the MA in Sound Arts at the University of the Arts London, her works span the audible, inaudible and visual perceptions between sound, music and language that involve in cultural events, social phenomena, environmental subjects and the human.
Since 2015, she started to get involved in improvisation performance. By using objects, electronic sound and instruments, she performed the "Many Private Concert (2015)" in London Contemporary Music Festival, "Music for Museums" at Whitechapel gallery, "Bob Cobbing Members Only " at Raven Row gallery, and FLUXUS piece in Christian Marclay's solo exhibition at White Cube gallery. Recently, Wan-Chien forms the Duo Semicircular with Yung-Chih, Hsueh and perform experimental music/ improvisation in Taiwan.