“當某件事物離開它原有的疆域 ” 即可稱為 “去疆界化” (德勒茲與瓜達西)，透過去疆界化的過程也可以幫助我們定義原有的疆域是什麼。

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在此作品中, 我將自己視為一個媒介物,  介入並打破社會上某些特定族群的疆域。

經由進入這些疆域的過程，那些我們平常聽見卻沒仔細聆聽的聲音也可能被指出並轉變成其他的意義。

畫面拍攝地為倫敦Elephant & Castle 地鐵站的地下道，從畫面之外可聽見有個人正在要錢，因此說著“Changes (零錢)” 這個單字。

由於不停地重複發音，Changes 在情境下的意義經由連續發音的誤解，變成了Chance(機會)。而“Chance(機會)” 也成為此作品的主要核心概念。

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伴隨著這位要錢人士的離開，我拾起他原本坐在上並留下來的報紙，將此報紙視為他給我的 Chance (機會)。並將此報紙當作象徵式的疆域範圍，移動到其他地方。

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重新定位的過程也同 時建立起報紙和和佔有者新的可能性與它們之間的關係。

 

Deterritorialization, “The movement by which one leaves the territory” (Deleuze and Guttari) can also be seen as a process which helps define the territory itself. In this audiovisual installation, I place myself as the medium to intervene and break a specific group’s territory within society. By getting involved in it, sounds we normally hear but do not listen to may be pointed out and translated into other meanings.

 

The word: “Changes” is heard from someone off-screen asking for money in the subway under the Elephant and Castle roundabout. With repetition, the word seems to become “Chance”, and its situational meaning morphs through misunderstanding.  “Chance” is at the core of this work. The newspaper sat and left by the people asking for money was taken by the artist to another place; as a symbolic marker of territory, its relocation creates new possibilities and relationships with its occupant.